4K and Beyond

4K and Beyond

Just when you thought you could handle 4K, Apple announced a 5K monitor, Gone Girl was posted in 6K, and Japan was watching the World Cup in 8K.  Using recent examples from her work overseeing Digital Intermediates at Light Iron, Katie Fellion examines the landscape of today’s 4K+ climate and assesses how it affects the production and post market for everyone.

As Post Producer and Digital Intermediate Supervisor at Light Iron, Katie Fellion has worked on dozens of projects – consulting, advising, and supervising through all stages of the post process.  She was the DI Producer for David Fincher’s Gone Girl, The Girl with the Dragon Tattoo, and The Social Network, and oversaw the on-set data processing and DI for Hitchcock and Ender’s Game.